
4 Ways AI Startups Can Target the Music Industry
October 30, 2017,
Inc.
Startups have a lot of room to disrupt the music industry with AI and voice recognition.

October 30, 2017,
Inc.
Startups have a lot of room to disrupt the music industry with AI and voice recognition.

April 3, 2017,
Inc.
Despite meteoric growth, one industry has been curiously left out of most VR/AI discussions: music.
Google has its eye on the music industry, and as we all know, Google usually gets what it wants. This time, Google wants to conquer the music industry completely, using YouTube as its foot soldier.YouTube is already owned by Googleand attracts more viewers in that all-important 18-34 age demographic than MTV, as ArtisanTalent.com points out. It’s the perfect vehicle for a music industry takeover, and Google is already setting the pieces in place to make its move. Here are Google’s plans for becoming a major music industry player through the power of YouTube.
This is a major part of Google’s strategy to achieve music industry domination. This is a brand new awards show that will debut November 3, 2013 and is expected to rival the 30-year success of the MTV Video Music Awards (VMA) on its first outing according to Mashable,. Once MTV’s VMA is conquered, Google will amp up its promotional efforts to achieve bigger ratings for the YouTube Music Awards in future years than industry award show staples like the Grammys.
The YouTube Music Awards is expected to attract the attention of advertisers and music industry executives alike. It’s been heavily promoted for months, and it is backed by Google’s endless ocean of money. Add to that the fact that YouTube is already creating legitimate music stars of its own who don’t have record company contracts, and it’s easy to see Google’s strategy for changing the music industry’s hierarchy to put itself at the top as a leading producer, as Business Week explains.
Advertisers are already expressing interest in being a part of the YouTube Music Awards. It’s the perfect opportunity for them to put themselves in front of young adults with disposable income. Kia has already signed on as the show’s title sponsor and Google is courting other big-name advertisers to the show. No word has come out as to what Google will be charging advertisers who sign on for the YouTube Music Awards, but according to Div8.net, it’s expected to be up to 25 percent higher than regular advertising rates for a web-broadcast program.
Google has been putting a lot of time, effort, and money into making the YouTube Music Awards a show to remember. It will be a 90-minute live show with plenty of star power. Lady Gaga, Eminem, and other big name acts have already signed on to perform. The fact that these big music stars are willing to perform and their labels have given their permission for it are both indicators that the awards show is expected to be a big deal. Industry executives are going to watch how Google handles the show to know what kind of competition the company may give them going forward.
The show will be live streaming from YouTube. Cable companies like Direct TV offer HD DVR receivers to customers that allow YouTube to be shown on TV screens for more comfortable viewing. Because it will be launching Google as a respected music producer, it promises to be must-see viewing.
Google has seen the potential to discover and promote new music artists just like Netflix grabbed a piece of the television industry by creating and airing original programming. Now that solid plans are in place and a big kick-off event is scheduled, there’s no stopping Google’s forward momentum in this area. The YouTube Music Awards is Google’s way of telling competitors it’s serious.
William Martin
William Martin knows a thing or two about video marketing.
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Kelli Richards’ new eBook, “Taking the Crowd to the Cloud – SOCIAL MEDIA for the Music Industry,” teaches you to run your content, your revenue, your merch and your fan base ANY WAY YOU WANT TO. It’s easily the best eBook on Social Media for Musicians, ever. Today is the ONLY day you can get the book on Amazon at $3.99. https://amzn.to/eBook-Crowd
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Kelli Richards’ new eBook, “Taking the Crowd to the Cloud – SOCIAL MEDIA for the Music Industry,” teaches you to run your content, your revenue, your merch and your fan base ANY WAY YOU WANT TO. It’s easily the best eBook on Social Media for Musicians, ever.
Today is the ONLY day you can get the book on Amazon at $3.99. https://amzn.to/eBook-Crowd.
Excerpt of Kelli Richards’ Q&A with Michael Robertson, the Bad Boy of the Digital Music Industry. Michael Robertson is a longtime provocateur of the music business and the founder and former CEO of MP3.com, one of the most popular Internet music sites ever. His newest startup, DAR.fm, is a centralized Web-based TiVo for radio. Users can search the programming schedules of over 600 music and talk-radio stations and schedule DAR.fm to record up to 4 hours of any broadcast. Robertson sees this as the savior of the radio industry, and he may be right.
Michael Robertson has fought more high-profile battles with the record industry than anybody in technology, and his experience in digital music is nearly unmatched. Over his career he has raised more than $100 million in private capital and orchestrated transactions with a combined value of nearly a billion dollars. This is definitely one of the best fireside chats in a great series of impactful interviews. (To hear this entire interview, visit the Resources Page on my Website.)
Kelli Richards: Let’s jump right into present time, Michael, because it’s so compelling – later we’ll go into your remarkable background in digital music. Although it could be a big competitor to MP3tunes, Amazon’s choice to enter the “locker” business is huge. Let’s ask two questions about that. First, would you talk about the basic structure of MP3tunes and how it changes the digital music world – why it’s a better product than what Amazon’s launching – and finally, explain to our audience why, in this unique case, Amazon could prove to be more of an ally to MP3tunes than a competitor.
Michael Robertson: Amazon recently launched a sort of personal cloud music server that, on first glance, is very similar to what we’ve been doing on MP3tunes for years – in that it lets people store music online. But there are some really big differences that consumers should know about. One of which is that MP3tunes lets you put your music in and get your music out. Amazon will happily store your music, but it’s kind of a sinkhole. So if you get a new computer or you want to download your music to an iPod, etc., it’s almost impossible to do with Amazon. They literally make you click on every single song to get your music down. With MP3tunes it’s quite different. We literally give you software to get your music out in one click. We’re not holding you prisoner. I believe it’s YOUR data – whether it’s your music, photos, whatever – and that should always be in full control of the consumer.
Another important difference is that we have an API. What this means is that you can connect to your music in a myriad of ways. With Amazon, today, you can only stream your music to Android. So maybe they’ll make an Apple IOS application and maybe they won’t, but you’re completely at the whim of Amazon. With MP3tunes it’s the exact opposite. We publish to the whole world how anyone can make an interface to their library. What this means is you can use your Android Phone to hear your music, or your iPhone, or a Windows 7 phone, or your Palm App, or even Internent Radio – Logitech or Audiovox – stuff like that. So we’re really trying to build an open approach – an open platform that isn’t controlled and dictated by any one company.
On the legal side, while MP3 and Amazon may be competitors on the consumer mindshare front, on the legal side they need us to win. We’ve been a lawsuit for nearly four years with EMI music that says we’re in a state of copyright infringement when a consumer stores their music in our application. Obviously, I disagree. Like us, they don’t have licenses either; Amazon is an un-licensed application. So in this regard, they are likely to be more of an ally than a competitor.
Kelli Richards: Michael, what do you think happens with Apple and Google in this niche – now that they’re said to be jumping into the cloud / locker mix?
Michael Robertson: I think that the really fascinating part of where the industry is at, is that there have been hundreds, if not thousands, of stories about what Apple and Google are going to do, but neither has done anything so far. I think for sure they’re working on it on some level. I’m fascinated by the state of the industry. What I mean by that is this: Amazon has basically flouted the industry and said, “You know what, we’re not going to get a license, we’re just going to launch a service.” So the industry is now in a tough spot. If they don’t take a legal stand against Amazon, why would Apple agree to pay them a licensing fee? Why would Google agree to pay a licensing fee? Let’s put this another way: Imagine two competitors decide to have a lemonade stand. Imagine one guy gets all his lemons for free. And the other guy wants to compete, but if he has to pay for his lemons, his lemonade is going to be more expensive and he’s not going to be able to compete. And that’s sort of where the industry is. If I’m Google or if I’m Apple, well, the music industry is very onerous. They want up-front money, guaranteed. They want restrictions and limitations and regional restrictions and things like that. And you don’t get any of those if you go for an unlicensed structure… So the music industry is really in a perplexing situation. If they don’t take a legal stand with Amazon, they’re going to see a big response in the industry. A lot of companies are watching this and will be over the next six to twelve months, to see if they move toward a licensed or unlicensed approach. If I were the industry, I’d wait and see what the consumers wanted.
(To hear this entire interview, please visit the Resources Page on my Website.)
*To get your own 2 GB of online music storage at no cost, visit https://www.mp3tunes.com
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