Tag: All Access Group

Google: Pioneering Meaningful Controls to Prevent Child Pornography

With so many ways to access, share and distribute information on the internet, is it possible to put meaningful controls in place to prevent child pornography? And if removing the offending pictures is achievable, what happens when they reappear in another location? For all of the benefits the digital age has brought us, the rarely discussed world of online child pornography is the one defect that has yet to be addressed.  Fortunately, Google is about to implement a change that will drastically reduce online child pornography.

The internet search giant is taking on child pornography in an effort to remove offending images from the web. Using hashing technology developed in 2008, Google will be able to identify duplicate images that still exist. According to Google spokesman Scott Rubin, a database of images will “…help all technology companies find these images, wherever they might be.” Because each image is unique the computer is able to identify multiple copies of the same digital file across the web. The best part is that this technology can accomplish the task without human interaction. 

Google is developing software that gives search engines the ability to share information about offending child pornography. Organizations such as the Internet Watch Foundation will flag offensive images. The database, which is expected to be operational within the next twelve months, will then clean all offending flagged images off the web. Almost instantaneously, all copies of a child porn image will be removed.

Google is creating a $2 million fund to allow independent software developers to create software to further eradicate child pornography. Pressure has been building for software industry leaders to combat this problem. Recently, England’s Prime Minister said he was “sickened” by the images available online. Up to now no industry standard existed to identify and eliminate images tagged as child pornography. Any images removed in one location could pop up somewhere else. By developing an industry standard, companies can find and remove images where ever they reside.

The resources Google put into this task is unprecedented. Chief Executive Officer Susie Hargreaves of IWF, an organization partly funded by Google, stated “This announcement is inspiring for those who are at the forefront of tackling child sexual abuse content.” While it is unrealistic to expect any one solution to be one hundred percent effective, this will go a long way in dramatically reducing the amount of child pornography found online. 

Until next time,

Kelli Richards, CEO of The All Access Group, LLC

Warp-Speed: A Promising Future for Spacecraft or a Trekkie’s Daydream?

Hollywood films have championed the image of spacecrafts moving at unimaginable speeds, traveling seemingly faster than the speed of light. Whether referred to as “warp speed,” “super drive,” or “time travel,” movies from Star Wars to Star Trek to the satirical Space Balls, have all taken advantage of an apparently unrealistic form of transportation. But what if this incredibly efficient yet fictional type of travel was more practical than we ever imagined? What if “warp speed” was no longer in the realm of science fiction, but a mainstream, sensible mode of transportation?

Now before I go on, I feel obligated to inform you that the research, and necessary technology needed for such manipulation of space and time is in an extremely rudimentary form; that being said, recent breakthroughs in the logistics, calculations and theoretical plausibility of such transportation devices have reawakened the dreams of NASA scientists, and science-fiction geeks alike.  Who doesn’t get excited by the idea of traveling through space?

Physicist, Miguel Alcubierre, first formulated this notion of traveling near the speed of light in his 1994 paper, “The Warp Drive: Hyper-Fast Travel within General Relativity,” suggesting a manipulation of the time and space surrounding the vessel, rather than actual acceleration. Such manipulation of the space in front and behind the “space ship,” would focus on an expansion and contraction of space and time. (Think of space and time as one entity –the physical mass and structure of the universe surrounding the vessel.) Expanding the space behind the ship would cause a forward motion similar to the expanding and contracting of a rubber band. If you were to stretch out a rubber band, releasing one end you would send the band flying through the air. Such forward movement is caused by the elasticity of the rubber band, pulling it expands the rubber, which sends it forward- just as expanding the space behind a ship would, hypothetically, send it in a forward direction. This constant expansion and contraction, in front of and behind the ship, could allow for travel near the speed of light (as nothing itself can exceed the speed of light, according to Einstein.  However, space is able to contract at any speed, allowing for an equally impressive contraction.)

Now Alcubierre’s theory for travel at the speed of light hit a speed bump early in its life as it was determined that in order to manipulate time and space in such a drastic way, one would need massive amounts of energy- around the mass-energy of Jupiter or 317 planet Earths. The theory was deemed impractical and was since laid dormant.  However, recently, physicist Harold White has put this notion of faster than light warp drive back on the science fiction map. White, after making adjustments to the design of the craft and re-crunching numbers, has reduced the necessary mass needed for travel from a Jupiter sized planet to a common space craft, some 1,600 pounds (or the weight of Back to the Future’s 1981 DeLorean)- now that already seems way more plausible.

And while a functional warp drive space shift is still in the distant future, such advancements are extremely exciting and promising. Imagine traveling 4.3 light years in a matter of weeks, in order to visit other solar systems!

 

Until next time,

Kelli Richards, CEO of The All Access Group, LLC

An Inside Look At My Relationship with Irene Cara

In the video below, I briefly discuss my working relationship with Irene Cara, singer and actress. Cara is most famous for her role in Fame and her Academy Award winning song, “Flashdance…What a Feeling.”

One of the tag lines of her song Fame was, “Remember my name,” so the irony was apparent when she called me and said, “You don’t know me, but my name is Irene Cara.” Of course, I did know her. Watch the video below to hear about our relationship and to hear more, visit my website to hear our full interview.

Until next time,

Kelli Richards, CEO of The All Access Group, LLC

The Continued Convergence of Music & Tech: Laptop Orchestras

Remember lugging that giant trumpet case to and from school just so you could be a part of the school band? Half the time you forgot to bring it and the times you remembered, your arm was sore by the time you entered the school’s doors. Or maybe you just regret never having had the musical instrument experience at all. Well here is your opportunity to combine some of the skill sets you already possess to be part of an orchestra. But instead of the use of a traditional instrument, a laptop is all that is needed to become a part of a unique ensemble.

Schools are actually forming bands where student-manned laptop computers are the primary instruments. The most visible schools to be adapting to this modern orchestra are Stanford and Princeton. Students can take a seminar where the expectation is to make music with their laptop. Students are instructed to design their own software instrument, a “meta instrument,” using code.

To learn more about the technical process involved, watch the video below from the Stanford Laptop Orchestra:

My question is this: If laptop orchestras are the future of music classes, what effect will it have on traditional instrument learning and playing? Studies show that playing an instrument positively improves cognitive functions, enhances hand-eye coordination, sharpens concentration, and relieves stress.  Of course, there are huge opportunities there for underserved populations who may not have the financial resources to outfit all of their schools with instruments – but could, perhaps, afford or acquire one or two laptops to be shared…

In the end, however, it comes down to this: Can making synthesized sounds from computers really compensate for traditional instruments?  That is the question we have to ask.

Outside of bringing music and instruments into places that might not otherwise be able to participate, maybe the real question is: Should it?

Until next time,

Kelli Richards, CEO of The All Access Group, LLC

Alice through the Looking Glass (The Corning Glass, that is…)

adaymadeofglassIn the near distant future, all of the surfaces in your house are made of high-tech glass. Instead of following a recipe on your tablet, your glass countertops now become the display. Does this make your spine tingle?  Does it feel uber-tech, light years away? Like something only Steve Jobs or Captain Kirk would have access to?  Nope, it’s coming to your doorstep.

Let’s paint a picture of an average Joe (or Joanne)’s day… It’s dinnertime. While trying to make the meal, the recipe on your tablet is too small to see and the stand you have propped it up on keeps falling over. Your hands are caked in food and the phone rings. Your son sits across the counter from you, nagging you about needing help with homework. Everyone and everything around you demands your attention. Imagine an innovation that could help you manage all of those tasks.

When the phone rings, your counter lights up and with one touch of your food-caked knuckle you’re talking to your great aunt Gladys (or the CEO of a major tech firm). Meanwhile, your kid is interacting through the countertop display with his tutor.

This near distant future could be possible with Corning’s technology. Corning’s is now researching ways to improve the glass, and apply it to all types of environments. Each glass display is powered by tablets encased in lightweight, durable glass, which –in this future time- are almost as commonplace as smartphones are today. Each tablet is tailored to its owner, organizing, managing and displaying everything in his or her life.

If we take this vision even further, now imagine the same technology that helped make dinnertime prep simpler, and apply it in hospitals, classrooms, cars and offices. The possibilities are limitless. If we step into a future hospital we will see wall-to-wall, touch-sensitive displays, capturing critical information for the current procedure taking place. The hospital rooms are covered with non-porous, easy to clean glass, making it an ideal product for sterile environments. Patient charts can be easily accessed from sleek, well-organized tablets.

Cars will also be equipped with glass displays. Now, music and essential driving information can be transported from a person’s individual tablet or smart phone, to the dashboard display. In addition to the dashboard, windows and a car’s sunroof will be made of automotive electrochromic glass, offering many possibilities.

Not only will classrooms have wall-to-wall displays, they will also be equipped with desk displays, and activity tables, making learning tangible and interactive. Imagine an office equipped with this same glass. Office meetings can now be interactive and plans can be changed right in front of you on large-scale displays.

Our future with glass is going to change the way we think, create, and organize our lives, and Corning’s is stepping up to the plate to make it happen. What do you think is possible with this futuristic technology? To see the glass in action, watch these three videos made by Corning. In A Day Made Of Glass 2: Unpacked, the narrator describes the technology used and explains what is possible today.

A Day Made of Glass

A Day Made of Glass 2

A Day made of Glass 2: Unpacked

Until next time,

Kelli Richards, CEO of The All Access Group, LLC

Q&A with Hank Barry, Co-Chair of Sidley Austin

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I welcomed Hank Barry, co-chair of Sidley’s Emerging Companies and Venture Capital practice, on my Blog Talk Radio show last Monday. I met Hank during his tenure years as the CEO at Napster.

During our interview Hank shared his experience with Napster as a “good one.” He said,

“I wouldn’t change a moment of it.” Hank explained to me that because of some internal issues at Napster, his partners asked him to be the CEO for, “quote, three or four weeks,” but he ended up staying in that position for almost two years. We talked about his complex career with Napster, learning about policy making, negotiating with record companies, and interactions with some of the major artists.

We then shifted into a conversation about Hanks career with Sidley, a worldwide law firm. Hank said, “The fundamental mission of the firm is to provide the highest quality of professional legal services, simple as that.” We discussed his work with pro bono cases and human rights cases including the launch of the first global pro bono initiatives called the Africa and Asia Agricultural Enterprise program, which entails reaching out to developing countries and helping people who have agricultural goods get those products to market and get a fair return on their investment.

When asked what his next project or collaboration might be Hank said, “Well I’m just trying to be a good partner to Sidley Austin. I mean that’s my main goal in life right now, just to be a good partner and grow this office.”

To hear the full interview visit my BTR with Hank Barry

There, you can find new interviews with some of the top innovators of our time.

My BlogTalkRadio episodes are regularly scheduled live, every Monday at 8:00 pm EST.

Until next time,

Kelli Richards, CEO of All Access Group

https://allaccessgroup.com

The Scoop on Zach Zalon, Former President of Virgin Digital

I recently talked with Zach Zalon, the co-founder of Wilshire Axon and former President of Virgin Digital, the digital platform for Virgin’s Entertainment Group. We discussed his inspiration for launching Virgin Digital and the philosophies that have structure his career.

Zalon attributed most of his career to the fundamental philosophy that was created when he worked as manager at the Troubador club, a live music nightclub. He spoke of the clubs ability to showcase up-and-coming artists that didn’t have a big following by bookending a major label act with these new artists. “Our philosophy was to democratize, in some respects, access to fans by using the bigger bands that were going to draw all those people to our club as the gateway to that bands fan base.” The philosophy that was created from this was the underlying desire to support independent artists that didn’t have the proper following or support.

He took that philosophy with him when he left the Troubador. At that time, the Internet was in its early states, and Zalon teamed up with his connections in the music world to use the Internet as another vehicle for expanding an artist’s access to new audiences, which inspired him to branch out and create his own consulting firm, The Factory Network.

Transitioning into his career with Virgin, Zalon explains that Virgin had been a client of The Factory Network (TFN), and they had worked with the company to do a variety of things. TFN wrote a business plan for what they thought would be a fairly innovative service called Radio Free Virgin, a global, online radio service that connected very deeply with the mega stores around the world to drive a fairly significant audience. When Richard Branson funded it, Zalon and his team decided to close down TFN and take on the project for Virgin full time.

After many years with Virgin, Zalon and his team spun out of the company and created two separate companies, Wilshire Axon and Hello Music. Zalon and his team used the blueprinting methods they had created during their time at Virgin and established a digital product design firm. Hello Music started from the teams desire to help artists. The idea behind it is to pre-negotiate opportunities that, up until now, only major acts have gotten access to and providing that access to artists anywhere in America in a standardized experience.

When asked what he most wanted to be remembered for Zalon said that he didn’t feel like he had been around long enough for a legacy, but rather explained that the three things he and his team were focused on were helping large companies create amazing digital experiences for their customers, helping independent artists get support, and an overarching focus on the city of Los Angles.

To hear the full interview visit my BRT Interview With Zack Zalon.

There, you can find new interviews with some of the top innovators of our time.

My BlogTalkRadio episodes are regularly scheduled live every Monday at 8:00 pm EST.

 

Until next time,

Kelli Richards, CEO of All Access Group

https://allaccessgroup.com

 

Social TV & Second Screen: How Television Captivates Fans Using Social Media

intonowAre you guilty of calling up Carson Daly in the early 2000’s and requesting a song on MTV’s show, Total Request Live? MTV is just one early example of viewers interacting with television. American Idol has also been notorious for enabling fans call in or text to vote for their favorite contestant for nearly a decade, but with the growing popularity of social media, we’re seeing an expansion of audience participation and networks are taking it a step further.

Not only are people requesting music and voting for their favorite talent, –online and through smartphones –but now audiences can interact directly with the stars and other fans, participate in contests and polls, and discuss show predictions, all while watching the show using their smartphones and tablets.  This is called Social TV or Second Screen.

Social television is almost essential nowadays. Fans expect to be able to tweet and post along with their favorite characters. Showtime, the Oprah Winfrey Network (OWN), and the teen network ABC Family are just three of the networks that do this flawlessly.

So what are these networks doing right?

Showtime has been known for producing quality content for years, but the network has since stepped it up with the introduction of the Showtime Sync App for iPad. The app encourages viewers to follow along with the app while watching their favorite shows like Dexter, Homeland, and Shameless. As long as the audio is enabled on your device, the app syncs with your television, and allows users to take polls, make predictions, and get exclusive content specific to the episode playing. Users can even test their knowledge of their favorite shows and characters by answering trivia questions.

Incorporating an insiders view through the use of blogging is one of the ways Oprah’s Lifeclass has captured the attention thousands of people. The show airs on the Oprah Winfrey Network and showcases Oprah’s life lessons and advice. Oprah elicited popular bloggers and gave them behind-the-scenes access to the show, so they could share their experiences with the world. Oprah also effectively uses Skype, a video communication system, to directly incorporate viewers into the television program. Viewers can call in and ask questions, discuss their fears, or share success stories.

The family channel, ABC Family flawlessly uses twitter to interact with fans (250,000+). Actors from the popular shows such as Pretty Little Liars and The Lying Game live tweet every episode that airs. Hashtags are even displayed (strategically, I might add) throughout the episode during suspenseful or unexpected moments in the plot, so that fans can take to twitter with their reactions. Viewers have direct access to their favorite characters/actors and are encouraged to ask questions, make predictions, and participate in contests –and are rewarded with real responses. The network has often used twitter as their primary platform to give fans updates about new characters, plot twists, and new television programs.

The driving forces behind social TV and second screen are companies like yap.TV, Get Glue, intoNow, Zeebox, and Blip.TV. The common theme among them surrounds the platforms they offer –apps allowing you to connect to online communities while watching your favorite shows. Let’s take a look at a few of the best.

Yap.TV is an online TV guide with Facebook and Twitter integration and provides content feeds and group chat capabilities. IntoNow uses your television’s audio to recognize which show and episode you are watching and delivers preprogrammed content, similar to the Showtime Sync App. Blip.TV has taken a different approach from the others and showcases content from up-and-coming and well-know producers. The content is anything from reviews to updates to predictions, etc in the form of videos. The platform also has popular social media integration.

These networks have certainly gained a loyal following and continue to stretch the boundaries of social media. Meanwhile the tech companies behind second screen continue to evolve, adding new capabilities & ways to engage over time. Fans are developing an even deeper relationship with the celebrities and characters they love. In what ways do you use social media to interact with your favorite television programs? What does this mean for the future of social TV? What will viewers expect next?

Until next time,

Kelli Richards, CEO of The All Access Group, LLC

Stop Wishing Your Life Away- THRIVE

Fearless people not only live amazing lives and achieve great heights — fearless people take on projects from which the rest of us would run. Thrive! Stop Wishing Your Life Away…

Until next time,

Kelli Richards, CEO of The All Access Group, LLC

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